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The ultimate team player, Gary Peacock seems to blend smoothly into any setting. Versatility is essential if one works with both Bill Evans and Albert Ayler, as Peacock did in the mid-'60s. With the Keith Jarrett Trio, and even on his own projects, the chameleon-like bassist's contributions are often obscured by stronger personalities. Peacock and Ralph Towner have rarely crossed paths, but the charming, thoughtful ECM-album Oracle, which they released last year, conveyes the familiarity and empathy of partners who have worked togehter for years. They share a deep interest in Evan's music, which manifests in the light touch, intricacy, and sensitivity that pervade the music of this Duo.
Peacock, who was one of the decisive renovator of the bass playing at the beginning of the 60-s. He started in the bands of Ornette Coleman, Don Ellis and Jimmy Giuffre at the end of the fifties, before he moved to New York in 1962. There he joined musicians like Paul Bley, Roland Kirk, Bill Evans and Miles Davis. In the middle of the seventies he began his colaboration with the ECM-label who presented him together with Keith Jarrett, Jack DeJohnette or Jan Garbarek during the last three decades. Gary Peacock played on nearly all important festivals with Keith Jarrett and drummer Paul Motian, Chick Corea or Jack DeJohnette.
Ralph Towner was born in Washington state in 1940, moved to Oregon at age five and grew ap there. He began to improvise at the piano at age 5, imitating recordings from the WW II era. The Towner family were all musicians, and instruments from the brass, string and woodwind groups were all represented in the family orchestra. Ralph began formal study on trumpet, and began playing in dixieland, swing and polka bands at age seven. Although his mother was a piano teacher and church organist, he declined to study the keyboard and continued as a self-taught pianist/improviser.
He studied classical composition at the University of Oregon, graduated in 1963 and went to Vienna, Austria to study classical guitar, an instrument he discovered in his fourth year of college. He studied for a year under the renowned Professor Karl Scheit, returned to the University of Oregon for graduate studies with professor Homer Keller, then returned for a second year of study in Vienna. He then moved to New York City in 1968 to continue his career as guitarist-pianist-composer in earnest. In 1980 he added the keyboard synthesizers to his instrumental arsenal.
Since 1970 he has recorded over thirty albums under his own name and has collaborated in concert and/or recording with Keith Jarrett, Weather Report (Joe Zawinul and Wayne Shorter), Egberto Gismonti, Gary Burton, John Abercrombie, Gary Peacock, Jack DeJohnette, Jan Hammer, Eddie Gomez, Elvin Jones, Freddie Hubbard, Oregon, Paul Winter Consort, to mention a few.
He has won numerous awards, including two German Grammies (Deutsche Schallplatten Preis) for the best jazz recording of 1976 world-wide, (Solstice, with Jan Garbarek, Eberhard Weber, and John Christenson), and again in 1988 for Ecotopia with the group "Oregon" (Paul McCandless, Glen Moore, Trilok Gurtu), a U.S. Grammy nomination, the Downbeat magazine poll as guitarist, and the New York Jazz Award as best New York City acoustic guitarist among them. He has performed world-wide in Asia, Africa, South America, Eastern and Western Europe, Australia and New Zealand, Japan and North America; in jazz clubs and major concert halls such as Carnegie Hall, Lincoln Center, Berlin Philharmonic Hall, Vienna's Mozartsaal, etc. Towner has recorded over one hundred of his instrumental compositions. His numerous orchestral compositions have been performed by the Stuttgart Opera Orchestra, the St. Paul Chamber Orchestra, the Indianapolis Symphony Orchestra, and the Freiburg Festival Orchestra. His recent symphony was commissioned and performed by the Cabrillo Festival Orchestra and by the Philadelphia Orchestra.
He has also published a book on improvisation and peformance techniques for classical guitar, a solo suite for classical guitar, and composed and conducted a large work for string quartet, wind quartet and synthesizers commissioned by a grant from the AT-Rockfeller foundation. He recently completed a score for an Italian film, Un'altra Vita, by Carlo Mazzacurati.
Records; a new solo recording for ECM entitled Open Letter that includes Peter Erskine on percussion; and Oracle, a duet on ECM with bassist Gary Peacock.
actual projects
Gary Peacock & Ralph Towner Duo
Paul Bley, Gary Peacock, Paul Motian
following areas can be booked by
Concertbüro Uli Fild: Europe
European partners for concert booking
France: Dominique Jezequel tel: 02 - 99 78 34 00 fax 02 - 99 79 70 14
Italy: Mario Guidi tel: 0742-35 55 88 fax 0742 - 35 88 31
Spain: Jose Angel Serrano tel: 94 - 67 65 631 fax: 94 - 67 65 505
Scandinavia Kjell Kalleklev tel: + 47-55-328860 fax: + 47 - 55-328861 (except Finland)
record company
ECM records